We’re counting them down, just like Casey Kasem. We’ve done this before — here’s a link to last year’s post: Top Ten Songs of 2022 — and we like to think we keep up with the trends, within reason.
Please note a couple things from your friendly wannabe music critic:
- I rarely listen to terrestrial radio for music. When I do, since I’m in suburban Chicago, it’s either the alternative station or the rock station or the…whatever that other combination alternative and rock station is. (That reminds me of a song from a band called Das Racist.)
- I get most of my new music from a SiriusXM channel called “SiriusXMU,” with “Alt Nation” coming in second. (Yes, Pearl Jam Radio is one of the presets, too.) Shout out to Josiah.
- I trend away from anything related to Taylor Swift. Nothing against those who love Taylor, but…I really can’t get into her music.
- I listen to a good chunk of what I find on YouTube and what I see on Twitter.
- Finally, I get music recommendations from a chap I call “Canadian Steve;” he’s the one who broke down Oasis for the blog. Sometimes it’s an email that should be a Substack, and sometimes it’s a WhatsApp message. Probably the guy more of a sense of what’s going on with the combination of Alternative, Rock, Pop Rock, Indie, and Everything Else than anyone I know.
Before we hit the Top Ten, here are the Honorable Mentions, ranked (a), (b), (c), (d), and (e) for no reason.
HM(a). Queens of the Stone Age, “Emotion Sickness”
On my list of all-time favorite bands, QOTSA is up there. But, as we’ve pointed out before — notably in our piece on Rolling Stone’s list of 500 songs — “favorite” and “best” are often two different things. And that’s where I land on this particular QOTSA piece: one of my favorite bands hasn’t done its best work here. It’s a song that’s…fine. It sounds a little too much like other QOTSA stuff, and now they’re on the fine line between “Distinctive Sound” and “Every Song Sounds the Same.” But…well, we’re gonna keep listening to the album and here’s the track in question.
HM(b). Nilufer Yanya, “L/R”
This one gets an Honorable Mention mostly because I didn’t discover this song until 2023, but it was released in 2022. Nilufer Yanya is from England and of Turkish, Irish, and Barbadian descent. This song is pretty darn good and would have made last year’s Top Ten had I known it existed. (Shame on me.)
HM(c). Vacations, “Midwest”
For a band that calls its kind of music “Woozy guitar pop,” and is from Australia, why are they singing about places like Colorado? Dunno. Nice song here.
HM(d). Men I Trust, “Billie Toppy”
We like Canadians. You’ll see that below. In this case, a French Canadian band that released a song in September of 2022. It became an earworm for this reporter late last year and throughout a good portion of this year, too. Can’t chart it due to a technicality because it was last year, but oh well. We have our principles here. It’s a darn good tune.
HM(e). Maneskin, “Honey (Are You Coming?)”
What’s NOT to love about an Italian band with a Scandinavian name? This song is brand-spanking new…to me at least. But the radio station and Alt Nation are both giving it the “here’s the brand new song from Maneskin” treatment at the end of November, so let’s go with that. It’s a hoot. Big fun. Had to make the list as an Honorable Mention.
That’s enough of the Honorable Mentions, especially if we want to hit our December 1 publish date. Let’s go…Top Ten time!
10. Little Dragon, “Slugs of Love”
Clever dance-ish pop/alternative track from a band called Little Dragon. I dig, you may as well. Enjoy.
9. The Beaches, “Blame Brett”
Dave, what is it with you and Canadians? This all-female outfit from Toronto is back with its fourth album, Blame My Ex, and this particular track has picked up steam in the US, ending up on the playlist of at least one of the Chicago stations (and reaching 35 on the US Alt charts).
8. Noah Kahan, “Dial Drunk”
This song got some major airplay in 2023, and I’ll admit to being late to the party. But the lyrics! Dangit, this is a tragic story. Watch the lyric video and feel for the guy.
7. Lovejoy, “Call Me What You Like”
This song is pure fun. Lovejoy probably has the second-most mainstream success (or maybe third-most) of any song on this particular list — you’ll see when we talk up number one — and this song got all the way to number 5 on three charts, including LTU, which is “Lithuania.” There’s a joke there, possibly from the movie “Singles.”
6. Suede, “The Sadness in You, The Sadness in Me”
Pretty much every year I’ve been doing this, a song drops late in the year, stops me in my tracks, and makes the list. (Happened last year, take a look here: 2022 Top Ten.) Suede did the trick and I heard this song for the first time right before Thanksgiving and Oh. My. Goodness.
5. Brigitte Calls Me Baby, “Impressively Average”
There’s a band from Chicago channeling The Smiths? IN THIS ECONOMY?
4. Depeche Mode, “Ghosts Again”
What amazes me about Depeche Mode is how they can release something that sounds simultaneously like it’s fresh AND from 1990. Stunning in its beauty and its pain, this song is downright phenomenal.
Now…time for a female-dominated Top Three.
3. Cherry Glazerr, “Ready for You”
This song went into heavy rotation as soon as I heard it. It shall stay in heavy rotation likely for the next couple years.
2. Blondshell, “Salad”
I spent most of 2023 thinking it would be impossible to hear a better song this year. And, were it not for the top song (according to me), this could have been the year for Blondshell.
But let’s face it, this probably WAS the year for Blondshell. For instance, a network television debut on Jimmy Fallon’s program (below). Criminally underwatched — only 45K views? WHAT? — but a slick live performance. A tour (that I missed because I was traveling). A debut album that clocked in at Number 11 on Rolling Stone’s list of the Top 100 Albums of 2023. And freaking moxie, people.
“Look what you did, you’ll make a killer of a Jewish girl” is the line that caused the multiple rewinds of this song (thanks, SiriusXMU).
TBH, the lyric video is preferred in my book because you can see how good a songwriter Ms. Teitelbaum is. Three links below (Fallon, official video, lyric video).
Also, before we get to the Number One Song (According to Dave) of 2023, might make sense to give you the last couple years’ picks. Eh? (Because everyone should have a ten-year plan, I’m already charting “Top Songs of the 2020s.” Set a calendar item for 12/1/2029.)
The Top Song of 2022: Hemlocke Springs, “Girlfriend”
Yeah, this was the Top Song of 2022. Now, 2.9 Million Views Later…Still slaps.
The Top Song of 2021: Glass Animals, “Space Ghost Coast to Coast”
Before “Heat Waves” became a hit but actually after “Heat Waves” was released…
The Top Song of 2020: The Districts, “Cheap Regrets”
If pressed, this is the Best Song of the Decade (So Far). Released during the height of the pandemic — a pandemic that robbed us of so many live music experiences — were I to check my YouTube stats, this would no doubt be my most played since 1/1/2020. The video is awesome, the vibe is off the charts, the guitar is crazy good, the lyrics stick with you — “Didn’t know what a mirror was til I went to LA/Jacuzzis, an Uzi, a Land Rover ride/That’s what the money’s for/Bikinis, Bellinis, and pate” — and if any song cost-justified SiriusXM and my ability to rewind and hit play over and over in my Kia, this was the song.
Now, without further ado…
1. The Last Dinner Party, “Nothing Matters”
A debut single off a forthcoming album from a band that just launched getting this much street cred? Something MUST be amiss. The Guardian breaks down the brouhaha here.
But they toured, they opened for — Brits like to say “supported,” but that reminds me a little too much of David Brent supporting Texas (the band, not the state; IYKYK) — Florence and the Machine, and they’ve been really REALLY busy on that side of the pond. And the hype is, indeed, warranted.
The Last Dinner Party’s single, “Nothing Matters,” has everything you were looking for in a launch into the stratosphere. Justin Hawkins — who, we assume, STILL believes in a thing called love — hilariously breaks it all down (video below).
To wit, the video is macbre enough, and goofy enough, to work.
The song might be the catchiest thing you’ll hear this year. It’s already getting airplay in Chicago — edited, of course — and it’s just this band’s FIRST SINGLE.
Below, enjoy Justin Hawkins’ video (NSFW: Blue Language), then the band’s official video (NSFW: Blue Language), followed by a SFW performance for the BBC.
It’s the Song of the Year. At least, according to me.
There you have it. Let the debate begin!
